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- #IRIDIENT DEVELOPER FUJI FILM SIMULATION HOW TO#
- #IRIDIENT DEVELOPER FUJI FILM SIMULATION PRO#
- #IRIDIENT DEVELOPER FUJI FILM SIMULATION SOFTWARE#
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I have gotten very pleasing results converting Fuji raw files with Photo Ninja, Iridient Developer, and my current favorite, Capture One.
#IRIDIENT DEVELOPER FUJI FILM SIMULATION SOFTWARE#
And using software that excels at de-mosaicing the Fuji X-trans sensors, I am able to produce a surprising level of dynamic range, recovering image detail in areas where I thought it was lost. Colors are vivid and, to my eye, realistic. Provided I get the focus correct, the level of detail and sharpness is remarkable. Their reputed strong points are indeed what has most impressed me. I now have an X-E2 with two zooms and two primes, and a tiny little X-20 for situations where I want something extra light or inconspicuous.
#IRIDIENT DEVELOPER FUJI FILM SIMULATION HOW TO#
Summary: How to apply Fujifilm Film Simulation Modes to Raw Files Once you’re happy, hit return to confirm your selection and access the other adjustment controls as normal. Click on each one to see the impact on your image and find the one you want to use. The Fuji Film Simulation Profiles are listed under ‘Camera Matching’. Click on the icon to reveal thumbnail previews of the profiles. The process of applying Fuji’s Film Simulation modes to raw files in Lightroom is almost identical to the process in Photoshop (Adobe Camera Raw).Īfter you’ve selected the image in the Library and opened the Develop module, expand the Basic panel to reveal the Profile selection dropdown list and icon that looks like four boxes. Once you’ve applied the profile, you can edit the image as normal, applying global or local adjustments until you get the image looking just as you want.Īpplying Fujifilm Film Simulation Modes in Lightroom Tip: If you have a favourite Film Simulation mode, click on the star in the top right corner of its icon to add it the Favourites list in Adobe Camera Raw. When you’ve made your choice, hit return to apply it. Click on them in turn to preview their effect and find the one you want to use. You’ll now see the Fujifilm Film Simulation modes. Scroll down to Camera Matching and click on it to reveal the options. This opens a collection of selectable colour profiles. Then, either click on the dropdown Profile control (default option is Adobe Color) followed by Browse, or click on the icon to the right that looks like four boxes. With a raw file open in Adobe Camera Raw, the first step is to ensure that you have the first tab (Basic) of the tools palette selected. However, the process is seamless with Lightroom, all the work is done with Lightroom itself. When you attempt to open a raw file in Photoshop, either directly or via Adobe Bridge, it automatically opens in Adobe Camera Raw. There are also lots of similarities in the terminology and controls available. Read Why you should use your camera’s Film Simulation ModesĪpplying Fujifilm Film Simulation Modes to Raw FilesĪlthough they look different, Adobe Camera Raw and Lightroom both use the same engine for image editing.The trouble is, the controls aren’t immediately obvious, so here’s how it’s done. If you shoot raw files with a Fujifilm camera, whether it’s the GFX 100, GFX 50R, X-T3 or X-T30, you can apply the Film Simulation mode look to your images when you process them. So what do you do if you use the wrong Film Simulation mode? And what if you want to get the extra sharpness of the raw files that your Fujifilm camera outputs? Well, Adobe Camera Raw (supplied with Photoshop) and Lightroom have a solution. Acros is also a great choice for black and white photography, but there are several variants with different filter effects. Provia (standard) is a great all-rounder, for example, but sometimes the image needs the extra punch of Velvia (vivid), or perhaps the subtler tones of Astia (soft). Most Fuji photographers have their favourite Film Simulation mode, but different subjects require different treatment. They’re easy to find and apply at the shooting stage because they’re accessible via the main and Quick menus.
#IRIDIENT DEVELOPER FUJI FILM SIMULATION PRO#
The options are Provia (standard), Velvia (vivid), Astia (soft – more subdued colour and contrast), Classic Chrome, Pro Negative High and Standard, Eterna (Cinema), Acros (black and white), Monochrome and Sepia.
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Fujifilm’s Film Simulation modes employ the company’s understanding of film and colour in the digital environment and give Jpeg files a specific appearance.